Description
Asya and Manu are looking at apartments, envisioning their future in a foreign city.
Removed from the web of family and its obligations, what traditions and rituals should they establish together?
As they dream about the possibilities of each new listing, Asya, a documentary filmmaker, spends her days gathering footage from the neighbourhood park like an anthropologist observing local customs, anxious to know how people really live.
‘Forget about daily life,’ chides her grandmother on the phone, ‘no one cares about that.’
Meanwhile, life back in Asya and Manu’s respective home countries continues – parents age, grandparents get sick, nieces and nephews grow up – all just slightly beyond their reach.
But the world they’re making in their new city is growing, too, they hope.
As they open up the horizons of their lives, what and whom will they hold onto, and what will they need to release?
‘Ayşegül Savaş’ White on White is marvelous, as elegant as an opaque sheet of ice that belies the swift and turbulent waters beneath’ – Lauren Groff
‘A haunting, irresistible novel. In Agnes, Savaş has created one of the great characters of contemporary literature. I loved this book for its depth and perception, for its beauty and eerie rhythms, but most of all for its wonderfully dream-like spell. It’s breathtaking’ – Brandon Taylor
‘Despite the thriller-ish underpinning of the novel and the propulsive unfolding of the relationship at the book’s heart, Savaş’s graceful and intellectual prose is the star of the show here. It makes air-light what might otherwise be a novel ponderous with weighty questions: What is the nature of art? Does it reveal or conceal? What is the nature of human connection?…Like a prism, this novel brilliantly illuminates the human spectrum of connection and longing’ – Kirkus
‘[A] beguiling little novel…Indeed, going out for a stroll is the activity that most resembles the reading of Savaş’s book’ – The New York Times Book Review
