In 2020, artist Tom de Freston and his novelist wife Kiran Millwood Hargrave discovered they were expecting twins.
But Kiran miscarried, and thus began a long journey to parenthood that saw the loss of six more pregnancies.
De Freston began exploring his experience of the losses in his artwork, searching for a way to make sense of his grief and of his wife’s.
He finds representations of his feelings towards Kiran in Ovid’s myth of Orpheus, who, in turning back to gaze upon Eurydice, loses her to the Underworld; a story which captures the longing for closeness within a couple, and the intense pain in the distance between them.
His search for understanding leads him to artists and artworks from Titian and Francis Bacon to Braca Ettinger and Gerhard Richter.
And as the miscarriages mounted and de Freston became ever more aware of the precarious bodily experience that is pregnancy, he excavates the erotic charge of the male gaze, its yearning for connection, and the desires and boundaries that exist between lovers, and between painter and painting.
‘A book full of love that makes you see what really matters, both in art and life. Clever, tender, completely compelling’ – Ella Risbridger
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